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AUG 1906 RARE LEYENDECKER GOLFING SUMMER SPORTS ISSUE
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*NOTE*
I am listing a bunch of SCARCE Leyendecker items in my ebay store out of my personel collection!
You are bidding on one Magazine!
(others for sale in my ebay store)
the
THE SATURDAY EVENING POST
August 18, 1906
* LADY GOLFER *
Great front cover by J. C. Leyendecker showing pretty young lady swinging a Golf Club with young bod caddy, a complete magazine!
Very scarce and hard to find complete 102 year old magazine.
Magazine contains but not limited to:
*IN THE OPEN*
Full page of Sporting illustrations by
E. W. Kemble
*THE STRUGGLE*
Full page color illustration by
Philip R. Goodwin showing Bobcat or Mountain Lion with his jaws around a Bears neck up in a tree
*WHAT THE WORLD IS DOING*
Maxfield Parrish headpiece fo
"Mr Root in South America"
"Russia in Feaver"
"Insurance Dodger"
"Freeing the Boers"
"Still A Patriot"
"Iowa's Revised Idea"
"Englands Schools"
* AMERICAN AT PLAY*
A Word of Chivalry in Sport
By Robert W. Chambers with sporting illustrations for Baseball, Bowling, Hunting, Motoring, etc.
*HIS NEW HIGH PRICED DOGS"
double page illustration by
A. B. Frost showing hunters and hunting dogs
*IN AUGUST*
By Virginia Tracy with illustrations
*THE RESUSCITATION OF A RIVER*
How the Mississippi Vallry States Propose to Regulate Traffic rates
By Richard Lloyd Jones with photographs of Riverboats in Iowa, Wisconsin, etc.
*THE LADY BULLFIGHTERS OF JUAREZ*
The Dumpy one Wins the Approbation of the Up-State Cowboys
By Arthur Ruhl illustrated with woman Bull fighters
Back cover nice color advertisement for
William's Jersey Cream Toilet Soap
of Lady Golfer getting dress by
EDWARD PENFIELD
CONDITION
Overall good complete condition, with usual subscription fold down center, some age toning to front and back cover edges, chipping to back cover and short tear. Overall not bad for age and scarcity of this particual Early magazine with Sporting and Golf Illstrations.
MAILING
Sent Medai mail well wrapped, packaged in protective archival sleeve for $3.50.
QUESTIONS ?
ctanner9@cox.net
BUY****SELL****COLLECT
BIOGRAPHY AND MUSEUM TOUR BELOW
*leyendecker photographs from my private collection*
NOTE: Exhibit of 50 original J. C. Leyedecker paintings. See look at venue cut & paste the following website:
Current Tour ScheduleR.W. Norton Art GalleryShreveport, Louisiana: February 6, 2007 through April 1, 2007
OPENfrom April 22, 2007 through June 17, 2007
OPENfrom July 8, 2007 through September 2, 2007
Fullerton Museum CenterFullerton, California: September 23, 2007 through November 18, 2007
Gari Melchers Home and StudioFredericksburg, Virginia: December 9, 2007 through February 3, 2008
Huntsville Museum of ArtHuntsville, Alabama: February 24, 2008 through April 20, 2008
Southern Vermont Art CenterManchester, Vermont: May 11, 2008 through July 6, 2008
OPENfrom July 27, 2008 through September 21, 2008
Morris Museum of ArtAugusta, Georgia: October 12, 2008 through December 28, 2008
The Hudson River MuseumYonkers, New York: January 31, 2009 through May 10, 2009
The Long Island Museums of American Art, History, and CarriagesStony Brook, New York: May 31, 2009 through September 6, 2009
William King Regional Arts CenterAbingdon, Virginia: September 27, 2009 through November 22, 2009
BIOGRAPHYJOSEPH CHRISTIAN LEYENDECKER was born in Montabaur, Germany, to a family of Netherlandic extraction, on March 23, 1874. The family immigrated to the United States in 1882, and settled in Chicago. From early childhood, Leyendecker drew images on any available surface, a tendency that his parents encouraged. As they were unable to afford private art lessons for their son, he was apprenticed at fifteen to a Chicago engraver, with whom he began his career by designing advertisements and book illustrations. During these years, Leyendecker also took night classes at the Art Institute of Chicago. By the time he was nineteen, he showed a mature technical mastery of the illustrator's art and, with his younger brother Francis X. Leyendecker (1877-1924), he traveled to Paris to study at the Académie Julien. The brothers returned to Chicago in 1898 and established a studio there. Both soon gained numerous commissions for magazine and advertisement illustrations, and in 1899, J. C. Leyendecker produced his first cover for the Saturday Evening Post, one of the leading mainstream American publications. Leyendecker's association with the magazine continued for the next four decades. With his holiday covers for the magazine, he virtually created the popular image of Santa Claus and the New Year's baby that Americans know today. Suddenly in great demand, the Leyendecker brothers moved to New York in 1900. Their work, characterized by what might best be called a discreet male homoeroticism, typically portrayed handsome young men, particularly athletes, soldiers, sailors, and muscular working men, as heroic figures, recalling the classical ideals of the French Academy and the sinuous lines of Art Nouveau. By 1914, J. C. Leyendecker had accrued enough wealth to build an estate in New Rochelle, New York, where he lived with his brother, his sister Augusta, and his lover Charles Beach (1886-1952). Leyendecker met Beach in 1903, when the young model from Cleveland first posed for him. The artist was impressed not only with Beach's handsome face and physique, but also with his ability to hold poses for extended lengths of time. Their relationship lasted until Leyendecker's death. Over the next thirty years, Beach's image as the "Arrow Man," as well as Leyendecker's other representations of him, became one of the most widely circulated visual icons in mainstream American culture. In this capacity, Beach became the symbol of American prosperity, sophistication, manliness, and style. For forty-nine years, Beach functioned as Leyendecker's model, lover, cook, and business manager. The household was extremely careful in maintaining a strict, even secretive, privacy. Although Beach's features were much in the public's gaze, few actual photographs of him or the Leyendeckers are to be found. Beach, presumably at Leyendecker's instruction, burned virtually all correspondence and many art works after the artist's death. Accordingly, few facts are known about their relationship and the couple's interactions with Leyendecker's siblings. Frank Leyendecker was, however, also known to be gay, and a rift between the brothers apparently occurred months before the younger man's death, reportedly from a drug overdose, in 1924. The last years of J. C. Leyendecker's life were overshadowed by financial concerns, as he had spent as lavishly as he earned at the height of his career. By the 1940s, the major magazines increasingly supplanted artist's cover illustrations with photographs. As a result, Beach and Augusta sold many of Leyendecker's art works, which now bring hundreds of thousands of dollars at auction, for a pittance. Leyendecker died at his home in New Rochelle on July 25, 1951. Beach followed him in death within months.http://www.smithkramer.com/exhibitions.php?currentSchedule=49
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